Back once again is the renegade master!!!!! If you are anywhere NEAR South Florida 12th February, THIS is the jam of jams. You need to attend and support this event as it is the GREATEST of graffiti culture in Miami. None of the people painting here are anything short of legendary in Miami graffiti history and the pieces every year have been phenomenal. Not only does this event showcase the best Miami has to offer in graffiti, but hiphop too! If you don’t make this, you are missing out!
Had to post this ridiculuous bullshit from a forum i used to attend(now banned at my request without being able to respond to this laugh of a comment”
Gone84 wrote:someone ban me already so i’m not tempted to come back here. this place becomes more of a joke every day. any of the cats i already talk to and still wanna keep up, you know where to find me.
and on a parting note.
Graffiti is not paper
Graffiti is not Computer Illustration
Graffiti is not a style of lettering
Graffiti is art on outside surfaces
For those that think otherwise, well, there will always be fakers. For those that know it and want to pursue the true art and lifestyle that so many have bled to develop, the power is in your hands. Concentrate on letters. Concentrate on composition. Concentrate on colour. Study the masters. Not just the writers, but the painters from the 1300′s to the present. Learn everything you can about ART because that is what it all boils down to.
Catch you cats on the flipside.
Gone84/Nitro KSN/FUKQ/BBB/USC …est. 1982…Proud to be among the FIRST generation of Miami graffiti writers…Respect it
Mindgem wrote: Haha, nice one!
I love it when people just decide to name themselves heroes and prophets.
Don’t preach to us about your moral standars of graffiti dude, art is not set in stone.
Ones creative interpretation of art is someone else’s contempt.
Just like religion you should keep your crazy ideas to yourself and not try to trick others into thinking You have better knowledge of graffiti then they have.
This is from the owner of the forum himself. It’s really fun to sell computerized graffiti to the masses, but when you attempt to corrupt the purity of the craft, you failed in my opinion. Fuck you mr. Mindgem and your shitty forum. Good luck going broke.
A true innovator and a graffiti legend. Dare One TWS 1968-2010
Rest in Peace Dare † 06.03.2010 from I Love Graffiti on Vimeo.

Just got done adding some precious 80′s flix to the gallery. These pictures and quite a few others have been rolling around in my collection for some time. Takes me back to the day when we actually had to be in front of a piece or be prepared to use a lot of stamps to get our work out to friends and fellow writers we met along the way. I have tons of these old flix spread out across my collection to include undeveloped negatives. What a treasure those could turn out to be. I will be going through them by and by and posting them as I find the gems. The benefit to you, of course, is lots of new, previously unpublished photos to gawk at as well as a glimpse at the unsung graffiti history that hasn’t made it into every graffiti book and magazine that you’ve seen. These flix are a really good look at graffiti letters and their evolution over time because this was a period in graffiti when letters actually meant more than the art-school craftsmenship that prevails today. This is graffiti art from the streets, where it belongs. It’s a raw and powerful art seen at the endings of its original renegade form….enjoy

I found a few good ebooks and tutorials that relate to photographing your art with or without models. Graffiti has come a long way over the years and its now even possible to make a living off of our art. Where such a thing may be frowned upon. I say that those doing the frowning aren’t good enough or just haven’t figured it out yet. Don’t get me wrong, to do it for money alone is pretty shitty, but at the same time, it never hurts to make a few bucks doing what you enjoy. I wouldn’t have it any other way.
Enough ranting. here are the links:
Photography Posing Secrets: A Resource For Posing A Model For The Camera. Very handy for bodypainting or just photographing a model in front of your work.
Digital Photography Success: At Last! How To Take The Digital Photos Youve Always Wanted, And Finally Have Them Turn Out Like A Professional Photographer Has Taken Them… …Even If Youve Never Used A Digital Camera Before And Dont Know Anything About Photography
Digital Photography Secrets: Tricks And Techniques For Better Images With Your Digital Camera. Everything The Professionals Know, But Dont Want You To Know About Using Your Digital Camera To Take Stunning Photos!
Sell Your Digital Photos: This freelance photography Guide Explains Exactly How To Sell Your Photos And Make Money With Your Digital Camera. The Freelance Photography Industry Is Booming. This one is good for graffiti writers and fans alike.
The Thriving Artist: This is a 13 1/2 hour multimedia course with really good information on marketing your art to the world. This one comes highly recommended.
Painting Lessons by Andre Grobler: An excellent video series on traditional painting methods by a guy thats been painting for 43 years.
Selling your art on Ebay: Ebay is a goldmine for graffiti artists. ‘Nuff Sed
Classic Airbrush Techniques: In the 80′s, graffiti writers moved directly from spraycan to airbrush because it was so similar in method. These are tips from people that have become experts at it airbrushing technique over the years. This will definitely help to get the graffiti skills going forward.
Instantly Create A Professional Photo Portfolio: The internet is essential for monetizing your art these days. This one shows you how to build a professional looking portfolio site to get your work out there!
Figure Drawing Secrets: Characters make a piece stand out above the others. The reason is that they are so hard to do right. It all starts with figure drawing.
Well, thats it for now. Hope this list helps you move forward or learn something new to add to your art skillset.

Yeah okay, here goes the old man preaching again. Anyway, there is an amusing and continuous argument going on between myself and some lady who is pissed off because I LOL’d her little cousin’s half-assed attempt at a tag. For some unknown reason, boredom and entertainment more than anything, I have been going back and forth with this person regarding my ego and this and that. It’s hardly uncommon, especially on the site in question, to run into this drama and the funny typing matches that ensue but this one has become so heated to that individual that it inspired me to write yet another of my grumpy old man diatribes on the history and tradition of this craft and why it’s so vital that we forward it properly.
I am not about to go into the whole mess about the beatdowns and the violent way we used to do things as kids, but I reference it solely because it is a part of our history that has just as much meaning as the evolutions of lettering and how to control a can. People love to whine and bitch and complain about how those of us old cats are so rude to the toys and the younger cats. But for real, has our history been so forgotten or wasted that the art itself is no longer respected? Is it really an expectation now in the hiphop community that we praise substandard work and encourage the uneducated to slander the sacred traditions that we all helped create. Note that I said hiphop, but only because that is the community that embraced us so readily in the past. The thing that gets to me alot of the time is that very association though. The marriage of graffiti art and hiphop has done a significant amount of damage to this vocation that it sickens me. Hiphop itself has dug itself so far into shit that it is unrecognizable when put up against its roots. Like graffiti, we have a culture brought on by a need. In its earliest form, both hiphop and graffiti writing were the best and most accessible ways for the kids of the ghetto to espress themselves legitimately beside the kids from outside the ghetto. Remember those days? The ones where everyone was trying to GET OUT of the ghetto???
Like any good subculture, the media had to have a chunk of this oh so popular craze because more participants always equals more money and America came to embrace(= consume) these street kids and their new funky culture. So, as a result, there had to be definition…categorization and hence comes these four elements everyone loves to talk so much about. I swear that tour to Europe back in the day really fucked us some. Yeah, alot of people got outrageously rich when they wouldn’t have been able to feed themselves otherwise. But look once at what it has become. It ain’t pretty, that’s for sure. it wasn’t long before the “find ways to make ourselves happy and celebrate live regardless of what it feeds us” days became a new market for what actually made the innercity community so scary for the gentry that wouldn’t go near it. Soon came the songs glorifying robbing and stealing. Next came the ones glorifying the evils of pimping. drug dealing and the gangsta life. Sadly enough, these are the things that ended up representing hiphop culture to America and the world. The very same subculture that did everything it could to separate itself from the dirt within began to glorify it instead. All at the hands of the record labels and mercenary individuals that would sell their souls for a dollar. The graffiti community got to suffer this as a result.
In Miami it was the Chicago gang influence mostly. They were always there, but in the late 80′s they were an epidemic. I can tell you of multiple great graffiti artists that lost alot over that period but the one that sticks out most would have grown up to be the most prolific writers to date. This young man was up from one end of the beach to the other and plenty of other places in the city. You couldn’t find a city bus that didn’t have his name on it somewhere. He was a friend to most of the greatest writers in Miami at the time. He was beaten to death in front of a school because of a few words on his shirt. Dude wasn’t even into the gang thing. But we lost him anyway. These injustices are among the things that make me wonder why we continue to associate ourselves with hiphop and its commercialization. As artists, do we really have time for gang affiliations? Does it make us better knowing how hard it was to grow up and stay alive?
I never noticed how much damage it has done until I moved to this small town in PA. The city will always be the city. Hard times will always be hard times. There will always be poverty and always evil in one form or another. But what people fail to realize is that small town America has its ears and eyes wide open. There are 12 and 13 year old kids posting crip graffiti in places where these gangs were never heard of until the whole commercialization of this pseudo hiphop culture. Young kids in small towns wearing their hats sideways and throwing gang signs that they have no idea of the meaning behind just because they think it will connect them to a bigger world. There still isn’t a ton of gunplay going on, but how long will it be until they figure that out too?
I pride myself on the rough past that I survived. I go on constantly about the trials and rites of passage it took to make me who I am today. I share a common kinship with all of the writers from that era for that very reason. But we, as former and current Kings and Masters of our vocation need to clean this mess up. WE ARE RESPONSIBLE for letting this happen to our youth and culture because WE as writers didn’t do everything we could to pass it on the right way. WE have a standard to enforce and it is up to us ALL THE TIME to weed out the fakers and half-steppers that would do our craft injustice. There are no exceptions. We let them in, it is up to us to keep them out and bring our art back to what it was. A Rite of Passage is in order. An insistence on the dues being paid. I am not insinuating that we start beating up toys and jacking them for their cans. There are other resources that no longer make that necessary. But if we don’t fix this, graffiti art will go down in history as one of the four elements of what has become a washed out facsimile of what it was in the first place.
It’s funny that the chick I mentioned earlier wants to go on about ego and how the half-assed that insult us should be shown respect. I don’t know about you, but after almost 30 years of doing this thing and probably 25 or so of them teaching it….I beg to differ.

Been talking to some of the local hopefuls lately and they have some good questions and concerns so I figured it may be good to drop a little bit of background on the way I came up in this vocation. Cats these days don’t seem to understand the whole world of experience that is involved in the history of the game and it leads to the mess we are seeing today. The availability offered by the internet mixed with the art-school graffiti fakers that use spray paint to paint huge legal murals everywhere make it very easy for kids to become confused and thus become fakers themselves. As I have said many times, there is no denying that technical prowess is essential to climbing the ranks in the graffiti world, but making pretty pictures isn’t the only thing that makes a writer. Not even almost. So maybe a little bit of history or insight is in order. I can only give you points from my perspective, but its more than alot of the old cats are offering so read on…
I guess the best place to start is a comparison. The scene is almost a total 180 today compared to what it was when I was growing up. When I was a kid, graffiti was a street thing done by street kids. There were a few of the richer kids that took an interest and some even carried it to better heights but the majority of us were not so well off and for us, writing meant alot more. Miami in the Reagan years was a crazy place. I swear it was just like the movies sometimes. Everything we did then was the only thing that mattered. Every day was an event, every love affair was the last and the breakups were pure doom. Our fights were earth shattering and world changing events. Latin freestyle was the music of choice and every song reflected the urgency of some situation or another. Every concert, every show, every piece just everything was….everything. These days we have a throwaway society. Everything is consumable and consumed. From the music to the movies to everyday social interactions. So much is accessible to us that we have no appreciation for any of it. We still have poor people, but even they have access to most of the accommodations needed to live life.
The comparison applies to the world of graffiti just as readily as it does everything else. In a way, its a good thing. It speaks of progress and of bountiful resources. It says that our country as a whole has evolved to another level but it serves as its own curse as well. Necessity is the mother of invention. As kids, we had to be resourceful. We were limited to the colours and brands of paint that we could find locally. The markers we used were as expensive as the paint. Even scoring a blackbook was an adventure in and of itself. and these are only physical resources. Miami is a very big and spread-out city. With only a handful of people bringing graffiti there from New York, there weren’t alot of mentors to go around so most of us ended up making it up as we went. There were minimal examples to learn from like TV and movies but there were no magazines or internet to reach out and suck up the latest styles and ideas. This was the best thing in the world because every region in South Florida had its own definitive style defined by whoever happened to be the best in their region. The guy that was up the most was the guy that everyone learned from, either directly or by example. That is why you HAD to get up or you were nothing. Blackbookers weren’t even considered writers back then…not even thought of at all. We didn’t have any disdain for those cats because in our eyes they didn’t exist. There were no muralists out there using cans to make a living doing legals. I mean, we scored legal walls sometimes, even some newspaper coverage from time to time but the base was still out there in the renegade work. The climbing of fences and scaling of whatever high surface we could reach to get to those heaven spots. Sure, we ended up meeting each other in school and usually in art classes but it was all based around those street associations we made while out performing our craft.
Back to resources. I was almost 20 before I could afford a working used camera, and developing pictures? Yeah, right. This is why all those pics that actually did make it out of that era are considered sacred and there are even people that will pay good money for them! When I say there was no money, I wasn’t kidding. From this comes the concept of racking. All the books on graffiti history will tell you that racking was done for sport and is considered a rite of passage for aspiring writers. Well I beg to differ in that we only ever did that shit because we couldn’t get stuff otherwise. Today, I really don’t see any reason for it. The same kid that will go out and pay 6 or 7 bucks for a pack of Newports or whatever can easily put that into cans. Back then it was a need, today it is a question of priority. Even the lowest paying part-time job pays for 2 cans an hour. That is, if you use store-bought cans instead of the specialty stuff you can get over the internet. I submit that the real rite of passage should be to use the shittiest cans with stock caps until you can do something worth looking at with them. That would prove alot more than stealing shit you can afford to buy. Even the more ethical of us would find ways to get paint back then. I figured out pretty quick that hitting up the local rich kids to do murals on their bedroom walls was a good way to get paint for free. I even managed a way to paint a legal for community service when I got caught scribbling one night. The leftover cans from that had me stocked up for months!
Social networking meant getting around back then. Getting to know real people…..talking to them face to face(it really happened, I swear it) and it was gold for those that mastered it. When all the kids from the neighbourhood started finding jobs, the places they worked became new places to get the things we needed. If I needed food, I’d hit up the girl I knew that worked at BK, for clothes, it was any of those stores in the mall that were good enough to hire people I knew. One girl I hooked up with lifted more than 100 markers from office depot for me….just because I wanted them! This sort of networking, though sometimes criminal, is why the majority of the still-living writers and musicians from those days are very well off these days. There is no replacement for making connections in real life. Get off the internet and go talk to people.
One of the questions these kids asked me was in reference to the social world on the writer side of things. He says(and I don’t really believe him but I dunno) that someone is pretending to be him and putting up all these wack pieces and crossing people out using his tag. This led me to reflect on the difference of today’s graffiti culture on a whole new level. As some of you may know, I am a moderator of the graffiti board at a pretty popular bboy site. I like the place and I dedicate more time than is healthy to it simply because it is unique in that its based around teaching the culture to people as opposed to just showing off and fronting like the other sites. Toys and potential writers are in there daily mixing it up with those of us who are more experienced in order to learn and grow(or decide that its too much work for them). If you know me you know that I am not really one to sugarcoat what I have to say. If I think it, you get it and that’s that. I’ll clean up the mess later. You learn to be that way growing up like I did. Political correctness won’t get you anywhere, you take your respect from people because they won’t give it to you otherwise and that’s what it really all comes down to isn’t it???? Respect is and was everything. I won’t give to you if you don’t earn it and I expect it from everyone I deal with or there arises a problem. Respect is the real currency of the street and well worth fighting over. Well, the people i deal with on that site are usually pretty put off by my criticism and it chases alot of them away. The others stick up for themselves or whatever but only a few have figured out how to improve from it and persevered long enough to earn actual cred and are among the most respected authorities on art at the site now.
Its the same out here in the real world. I met a kid awhile back that swore he was dedicated and wanted to learn so i took him under. Well that lasted all the way up until he started showing the signs of another faker. Dude would bite WHOLE PIECES from the internet and post them online when he did them. This at the same time as dropping my good name to everyone who would listen and telling them I was mentoring him…All well and good, kid has to learn the ropes so I told him what was wrong with what he was doing and told him to quit acting like a toy. Problem fixed, right? WRONG. This dude has to go and continue very publicly his reputation killing ways. First, he changes his tag from the one he found on the shitty video games to one that belongs to one of the best italian writers that ever lived. I am sure he has half-assed copies of this poor guy’s shit running all over town by now. Anyway, he posts some bullshit pic (after replying to every single post I had on that forum, thus riding the fame a little more) of his internet bought cans , a fake gun and a bag of weed right there on the site that I mod. What a blessing a photo of all the shit that the wannabes and toys THINK writing is all about. When confronted with this he comes off with all the same lame excuses every toy gives when confronted with their chronic wannabe-ism and then goes on about how he sells it more than uses it etc…. So now I find that not only is this herbert ruining my good name but he’s also a drug dealing cop-magnet. It gets worse, with all this money he buys the expensive cans off the internet and runs around this small town crossing everyone out and putting his lame-ass throw-ups all over the place.
So now, the point of this running tangent. Graffiti in my day was a violent sport. Hands down, you fuck up, you get fucked up. Stupid people got bloody, even some of the good people ended up dying. The reason the toys don’t learn the right way these days is that they can’t even deal with a harsh word or two. They would rather disassociate themselves from the people that can teach them and ride the fake fame of impressing their girlfriends or their other wannabe buddies than actually put in the work to learn the needed skills to gain real respect. I remember one kid that thought i would never find out he was running around his part of town saying he was me. My crew and I asked him very nicely to stop doing that and by the time we let him out of the van I assure you he saw our side of things pretty clearly. If not, he had a 20 mile walk(limp) home to reflect on it.
You can buy a successful graffiti career in the 21st century. All you need is an internet connection and a credit card and you can get all the supplies you need as well as a whole photo album of shit to bite. These people piss me off more than anything because they are the same ones that believe graffiti is gangsta or even hiphop. I will tell you first-hand that the gang and drug scenes in Miami in the mid to late 80′s almost killed graffiti and would have if half the artists weren’t smart enough to get out of it. I promise you it took 3 good years of learning art from my life that I wish I could have back.
The bottom line is, Take your respect don’t expect it to be given to you. Hold your own and use the resources you have available to you wisely. Find a real mentor that will show you the ropes and live the pain that it takes to be a real writer, you will thank him for it in the end. Graffiti is not about gangbanging, drugs, stealing or even hiphop. It’s about writing letters on public surfaces. No matter the medium, no matter the surface. All the expensive cans in the world won’t make you any better they will just make you poorer. Learn letters, study letters, live letters and art. Draw until you are the best you’ve seen and THEN try to hit walls. When you hit the walls hit them so that there is no mistaking who did it. Do it BIG and do it EVERYWHERE. These are the things that will make you real. These are the things that will get you respect. Anything else just makes you a sucker and no one respects a wannabe.
Nuff sed………back soon

So its a nice sunny day for a change. Had one on friday and my buddy was in from Ohio and we started a piece. We ended up not finishing and now he went back to Ohio leaving unfinished work uggh. So i go out today to finish it and didn’t like my part so much so i buffed it and started over… Nothin but time, and again…nice weather. All well and good. So i put up the first outline, pretty nice, oldstyle stuff. I proceed to do the fill and enough of a background that i can outline the letters. Well, that’s where the good stuff ends…. For one, it was 2 words..one 6 letters and the other 7 so I had to do them pretty small…maybe 4 feet and i HATE small letters. I outlined the piece and that went pretty well. Cut all the angles so they were nice and sharp….still winning…I grab a white to do the highlights and this full can of white sputtered all over the fucking piece. So, after all that work, I ended up covering it with a banner saying pretty much seeya nexttime lol.
Lesson,
FUCK SMALL LETTERS they never come out right anyway
Always make sure your painting partner is gonna be around to finish the piece
again, GO BIG…
an outline can sometimes be handy
and finally….DON’T USE VALSPAR PAINT FOR ANY DETAIL WORK….PERIOD
pics coming soon.
/Rant











































